They are renaissance men. They are boulevardiers. They are three young Pakistani men in New York City at the turn-of-the-millennium: AC, a gangsta rap-spouting academic; Jimbo, a hulking Pushtun deejay from the streets of Jersey City; and Chuck, a wide-eyed, off-the-boat kid, searching for himself and the American Dream. In a city where origins matter less than the talent for self-invention, the three Metrostanis have the guts to claim the place as their own. But when they embark on a road trip to the hinterland weeks after 9/11 in search of the Shaman, a Gatsbyesque compatriot who seemingly disappears into thin air, things go horribly wrong. Suddenly, they find themselves in a changed, charged America. Rollicking, bittersweet and sharply observed, Home Boy is at once an immigrant's tale, a mystery, a story of love and loss as well as a unique meditation on Americana and notions of collective identity. It announces the debut of an original, electrifying voice in contemporary fiction.